While some critics have praised this “message to Arizona” as being “most eloquent” on the immigration issue, others have become concerned about the message truly sent by a bloody and racially-charged film.
ALEX JONES WARNS ABOUT THE MESSAGE CONTAINED IN ‘MACHETE’
Alex Jones explains how the unsettling film, currently in production here in Austin, Texas, had upset two of its crew members, both of whom happened to be hispanic, enough to contact him about its fiery message. Though they could not give details due to their contractual agreements, the industry insiders were concerned that the film had gone too far, voicing their fears that it could cause a cultural backlash and do harm to the otherwise positive image of the hispanic community.
Racial strife is often exacerbated unnecessarily by globalists forces who, though seeking to integrate North America regionally, divide & conquer the population by playing upon ethnic tensions. For a violent film to use such a backdrop to glorify and potentially incite violent attacks on white Americans over the immigration issue is very dangerous, and Alex urges the film’s director to carefully consider the impact such an extreme statement could have. Though the movie screen is an escapist dimension where sex & violence are commonplace, ‘Machete‘ ties it into a racially motivated issue spurned by anti-illegal immigration rhetoric– and that may be taking things a bit too far.
RELATED: L.A. Teacher Calls for Mexican Revolt in the U.S.
MACHETE’S “ILLEGAL” TRAILER – A ‘CINCO DE MAYO MESSAGE TO ARIZONA’
(Warning: Extreme Violent, Offensive Language and Message — Sensitive Viewers Be Cautioned)
The trailer insinuates that the film’s lead is hired to assassinate a Texas senator rallying so hard against illegal immigrants that he calls their very presence on United States soil “terrorism.” However, ‘Machete‘ realizes he’s been betrayed, and instead set-up as a patsy for a failed-assassination attempt to be blamed on what is termed crudely by the film’s villains to be “Mexicans” and “cucarachas.” From there, he develops a taste for revenge and initiates an out-and-out killing spree, recruiting an angry mob along the way, whose leader decries “We didn’t cross the border, the border crossed us” in downtown Austin. The trailer shows a crowd all holding up machetes in preparation for battle. As the film is not scheduled for release until September, we cannot say whether the film will be as violent and over-the-top as the trailer implies, but if the wary crew members are any indication, this film could be an unwanted wedge of racial anger that no one wants unleashed.
Curiously, FOX, who is ‘Machete’s’ distributor, blasted the film in a May 6 articled entitled, “Violent movie declares war on Arizona for immigration law.” However, the article was pulled and deep-sixed. The URL pulled up a ‘page not found.’ Talking Points Memo blasts the fact in their article, “Fox News Scrubs Article Criticizing Fox’s Robert Rodriguez Film “Machete” as “Racist” & Declaring “War on Arizona.” Clearly, Rupert Murdoch & co. are playing both sides of a potentially explosive cultural-political issue. FOX won a ‘bidding war’ for the film, which grew out of a parody trailer spliced into the 70s-cult throwback “Grindhouse,” a double-header release featuring works by Robert Rodriguez and Quentin Tarantino, both notable for their excessive and stylistic violence.
It has been established that the Ford Foundation and other top organizations have funded and influenced groups like MEChA and La Raza. Border enforcement is lax because big businesses take advantage of the low wage labor; meanwhile, the same NAFTA, WTO and CAFTA visionaries ship jobs overseas and gut the industrial base in America. The clash of cultures is then pressured further by fiery rhetoric, mythically-driven liberation theology, perceived job opportunities, language barriers and political issues. For ‘Machete’ to call for such violence and glorify killings in relation to such a sensitive political topic is potentially criminal if it caused people to act out in real life.
So what of the role of cinema and television cultural products in the larger picture of shaping the opinions and habits of our increasingly naive and shallow population? One need only read between the lines, flip through the channels in a critically-evaluating way (rather than a hyponotic, dreamy way) and read the statements of the ruling elite, who have made sport of pushing our buttons. Public relations ‘founder’ Edward Bernays makes some very naked admissions about “controlling” and “steering” the public in his book Propaganda:
Those who manipulate the unseen mechanism of society constitute an invisible government which is the true ruling power of our country. We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of. This is a logical result of the way in which our democratic society is organized… In almost every act of our lives whether in the sphere of politics or business in our social conduct or our ethical thinking, we are dominated by the relatively small number of persons who understand the mental processes and social patterns of the masses. It is they who pull the wires that control the public mind.
Propaganda is the executive arm of the invisible government. If we understand the mechanism and motives of the group mind, it is now possible to control and regiment the masses according to our will without them knowing it.
British aristocrat Bertrand Russell also makes some very compelling statements about the intentional manipulation of public thought in his seminal The Impact of Science on Society:
“I think the subject which will be of most importance politically is mass psychology. Mass psychology is, scientifically speaking, not a very advanced study… This study is immensely useful to practical men, whether they wish to become rich or to acquire the government. It is, of course, as a science, founded upon individual psychology, but hitherto it has employed rule-of-thumb methods which were based upon a kind of intuitive common sense. Its importance has been enormously increased by the growth of modern methods of propaganda. Of these the most influential is what is called ‘education’. Religion plays a part, though a diminishing one; the Press, the cinema and the radio play an increasing part.”
“We now know that limelight and a brass band do more to persuade than can be done by the most elegant train of syllogisms.”
Threats and different types of attacks have already taken place by pro-illegal immigration protesters, particularly those incensed over the Arizona issue. Scares and potential threats have been made against political figures, including some “white powder” feared to be anthrax mailed to now Arizona Governor Jan Brewer. Surely Rodriguez does not mean to tie in fantastical acts of racial violence with the very contentious issues that many immigrants are angry enough to act upon?
Divide & Conquer is an age old tactic, employed with skill by the British Empire’s “Great Game” strategists, who frequently pitted one tribe or nation against another to maintain control over their colonies and to expand their conquest into other territories. Leaders have been caught up in racial divide in the history of Mexico & Texas, despite a long history of co-mingling and harmony among white and hispanic populations in that era. ‘Machete‘ proves all too evocative of the infamous 1915 Plan of San Diego one of the most insulting episodes in history, where a plan was made to kill all white males and use an all-out race war to re-conquer the Southwest. More recently, the CIA has been known for writing & disseminating racially & religiously-charged textbooks to places like Afghanistan– a seed that grew well to destabilize the region.
Alex Jones has spoken out against this frightening trailer because it appears like political dynamite likely to incite real violence, riots or killings. He hopes to diffuse its possible effect before anyone is hurt, injured or worse. To the Hollywood creators of our un-reality, please do not use your powerful weapon of film as a wedge against the people or to suggest that we turn inwardly, violently against ourselves. ‘Machete‘ projects a dangerous image, and it is only fair to warn against its potential.
Director Robert Rodriguez should recognize the problem of potentially inciting real violence, and clarify his intentions with this film. Perhaps the controversy will drive the publicity and box office sales of this film, but I doubt he wants to have blood on his hands. Let’s hope the trailer is a poor indicator of the film’s message..
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